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There's the occasional oddity - a ski chase scored to the Beach Boys' "California Girls," or a woman in a jacuzzi saying, " The bubbles tickle my Tchaikovsky." Mostly though, View to a Kill, Moore's least favorite Bond, stands out for just how old its star is. Moore's tenure as 007 was mostly notable for its goofiness, but his final film as James Bond is mostly a staid-to-the-point-of-boring affair.
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Alas, For Your Eyes Only abstains, settling for being what no Bond movie wishes to be forgettable. Frustratingly, the screenplay misses the opportunity to bond her and James through their mutual loss of loved ones, a dynamic that might have lent emotion to an otherwise bland entry, particularly with James' deceased wife Tracy given a rare reference in the film's opening moments.
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There's an intriguing Bond girl in Caroline Bouquet's Melina, who for most of the film is on her own path to avenge the death of her parents, with little sign of being seduced by her leading man. For Your Eyes Only (1981)Ġ07 stumbled into the 1980s with this attempt to transplant Moore's Bond into a gritty throwback to the serious-minded thrills of From Russia With Love. Somehow, that attempt still involves an ice rink battle with a hockey team, a bizarre cameo from a Margaret Thatcher impersonator, and an opening confrontation between Bond and an uncredited Blofeld that feels less like a reunion and more like a Tom and Jerry short. Even a burly brawl between Craig and Dave Bautista on a train feels like a callback to a far superior sequence, in a superior film. That might all be fine if said reveal didn't follow a plodding, meandering first hour that unsuccessfully mimics Skyfall's "ruined city" existentialism about the state of MI6, itself following a plodding, meandering theme song that unsuccessfully mimics its Adele-sung predecessor. More distressingly his claim to being the " author" of Bond's pain stems from the sort of cynical pandering that would bring Emperor Palpatine back in The Rise of Skywalker. That's partly due to the uninspired casting of Christoph Waltz, who could do this type of performance in his sleep. Blofeld has been Thanos-ing long before Josh Brolin snapped his purple fingers, yet his re-emergence here feels hackneyed. Die Another Day (2002)Īll Bond movies are reflections of the cinematic landscape in which they're released, so it's not a surprise the MCU's trend of focusing on an over-arching narrative rather than the film at hand would wind up influencing 007.
There will be no Never Say Never Again or 1967's Casino Royale featured, and there will also be no spoilers for No Time to Die these are the 25 official Eon produced Bond films, ranked from worst to best. Some attempt to give 007 something resembling a soul, others have invisible cars and jetpacks. A viewer's entry point can set the tone for what they expect from a Bond film and because of that, nearly every title in this ranking is probably someone's favorite. Some embrace the ridiculous and some the hard-boiled grit of Fleming's stories. Related: Why Tom Hardy Would Be a Terrible Choice To Play James Bond After Daniel Craigįor a franchise so reliant on formula, there's a wide variety of types of Bond adventures.
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George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig have all followed, each giving their own spin on the British secret agent. No. From the moment Sean Connery introduced himself as "Bond, James Bond," a legend was born, and the Scottish actor would go on to reprise the role in five entries before launching the tradition of passing the torch to the next 007. "Cubby" Broccoli), acquired the rights to 007 and released the first film in the series, Dr. Less than a decade and exactly nine Fleming novels later, Eon Productions (owned by Harry Saltzman and Albert R. The character first appeared in Fleming's 1953 novel, Casino Royale, which became a hot property for radio and television adaptations. After a long delay James Bond is back in No Time to Die, so there's no time like the present to rank his cinematic outings from worst to best. Through six Bond actors, 60 years and 25 movies, Ian Fleming's "blunt instrument" has punched, quipped, and slept his way through a wide variety of adventures in one of the highest-grossing media franchises of all time. Blaring horns, smoking guns, and martinis (shaken, not stirred) have woven themselves into the fabric of cinematic iconography, with the promise "James Bond will return" a constant for multiple generations.